When Rajinikanth is around, the camera spirals, dips, dives, and soars during the most banal dialogue scenes while the cinematographer works the zoom lens like a trombone.
The editing is hyperkinetic with Rajinikanth thrashing thugs so fast that you don’t even see how he hits them. All of his movies are named after his character, and every single one of them starts with a musical number in which he introduces himself in the most insane way possible.
In the first scene of Padayappa (1999), he’s asked, “Hey man, who are you?” and his answer is a four-minute musical number in which he plays the harmonica, flips through the air, oversees a massive martial-arts demonstration, and then morphs into a baby. At the end, the village chief says, “Padayappa, that song was excellent,” at which point the music revs up again, Rajinikanth climbs a 30-foot-tall human tower and smashes open a clay pot, fireworks explode, and the director’s credit flies out of it.